共时影像 Synchronicity Film | 看不到完整的风景
《看不到完整的风景 Can't See a Complete View》 27'57''
by 万青儿影院 Wan Qing'er 2021/09
从新城区的家里看不到完整的风景，我上附近寻找，直到遇见一位归途而来的老人…
Not being able to get a complete view from my home in new town district, I went out to look around until I met an old man returning home…
*感谢英文字幕翻译邓宁立
静帧们
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“共时影像”（Synchronicity Film）中的“共时性”（Synchronicity）受启发于荣格（Carl Gustav Jung），它是“天人合一”哲学及我所受训的占星学的基础原理，其伦理及语法同时体现在影像的拍摄—剪辑—放映全过程（对应商品的生产—加工—展销）：
一、拍摄者与对象的相遇：这样的相遇不是随便发生且都能够持续发展的，但都是非中心化的，好比平行时空交错的节点，先是两个从不同方位独自划桨的人生发的涟漪相会，接着他们相视而过或近距离产生交谈，或许再由交谈发展出共同行动；
二、剪辑者与拍摄者的共同经过和创造：剪辑时对影像逻辑的运用将启发对现实逻辑的新理解，而这些理解不过是通过重复地经过重新发现了在拍摄时被疏漏或无暇顾及的细节们的隐幽回应；
三、观看者在与拍摄者、剪辑者的同步经历和探索中逐渐累积开放的、自觉的共同感知，影片落幕而新的现实升起，我们相视而过或产生平等交谈，或许再由交谈发展出经过共同感知训练的共同行动，以此往复不息。
“共时影像”中的创作者不是导演，而是社会关系的参与者和时空关系的服务者。
The "synchronicity" of Synchronicity Film, which is inspired by Carl Gustav Jung, and it is the basis of the philosophy of "Harmony between Man and Nature" and of the astrology I was trained in. Its ethics and grammar are simultaneously reflected in the whole process of film shooting, editing and showing (which corresponds to the production-processing-display of a commodity).
First, the encounter between the photographer and the subject: such encounters do not happen randomly and can always be sustained, but they are non-centralized, like the nodes of parallel space-time intersections, where first two people paddling alone from different directions meet in a ripple, then they look at each other or talk at close range, and then from the conversation develops a joint action maybe.
Second, the joint process and creation of the editor and the photographer: The application of image logic in editing will inspire a new understanding of realistic logic, which is just through repeated process to rediscover the hidden responsive details that were omitted or left unattended during the filming.
Third, the viewer gradually accumulates open and conscious co-perceptions through simultaneous experiences and explorations with the photographer and the editor, and as the film ends, a new reality rises. We look at each other or have equal conversations, and from these conversations develop joint actions trained in co-perception maybe, thus in an endless succession.
The creator of Synchronicity Film is not the director, but the participant of social relations and the server of temporal and spatial relations.
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