“巨石之下Under The Rock”公益艺术展线上展览（二十五）
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“巨石之下”公益艺术展作品赏析（二十五）
线上展览作品每日更新
最终线下展示作品由评选委员会投票选出
点击查看“巨石之下”公益艺术展详情
The online exhibition will showcase submissions, updated daily. Artworks for the final offline exhibition will be selected by the selection committee. For more information please click on"UNDER THE ROCK" Exhibition and Charity.
点击查看往期作品Click to view previous works
提 交 作 品 SUBMISSION
192《 离境·幻城》
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纸本水彩（18*28cm）2020
Watercolor （（18*28cm）2020
人类不是这个星球的主宰者，人类需要和自然、动物和谐共处，而不是去侵略和去杀害。希望美好家园的愿望不会只出现在幻城里…这一系列作品，我没有强调人物的性别，而是把人类做为这个世界上的与众生平等的一种个体去表现。
Human beings are not the masters of this planet. They need to live in harmony with nature and animals instead of invading and killing them. I hope that the wish for a better home will not be merely a dream. In this series of works, I do not emphasize the gender of the characters, but rather treat human beings as an individual equal to all living beings in this world.
艺术家：赵继超
2019年《自恋的人》系列藏书票，入选“第五届国际藏书票展”。2020年《特别关注》杂志社特约插画家。
Zhao Jichao’s 2019 "Narcissist" book collection was selected for the "Fifth International Book Collection Exhibition". Zhao was also a Special Illustrator for the Special Concern magazine in 2020.
193《Beauty in all scales》
数码绘画 2020
Digital painting 2020
《Chem Charms》
数码绘画 2020
Digital painting 2020
《Integral of Love from Me to You equals Infinite》
数码绘画 2020
Digital painting 2020
《Micro Flowers》
数码绘画 2020
Digital painting 2020
艺术作为人类至高的精神追求，却在人类生存受到挑战的时候显得如此苍白。并且因为在家隔离无法去工作室开始利用 iPad 进行创作。这个作品描述着一场艺术与科学的狂欢。存在于二维作品中繁复无序的细节，映射了适用于物理真实世界中一切系统的热力学第二定律，在一定的规则下无序而混乱，并始终向着更加混乱的方向发展。由此而带来视觉上的压倒与精神上的焦虑，然而我们就是在这种永久存在的混乱中寻找并创造美好与光明。
As the highest spiritual pursuit of human beings, art is so pale when human existence is challenged. And because in Home quarantine can't go to the studio to start creating with iPad. This work describes a carnival of art and science. Save The complicated and disordered details in the two-dimensional works map the second thermodynamic definition applicable to all systems in the physical real world. Law, under certain rules, is disorderly and chaotic, and always goes in the direction of more chaos. This brings about visual overwhelming All and spiritual anxiety, but we are in this permanent chaos to find and create good and light.
艺术家：NYSomeTimes
作为一个旨在最大化体验人生的艺术家，从坐在窗明几净的实验室用着最先进的仪器观察纳米材料，到充满针头与流浪汉的午夜旧金山街头涂鸦，她的作品中体现着科学与艺术的结合，并努力的打破这个世界现有的条条框框。
NYSomeTimes, as an artist who aims to maximize the experience of life, from sitting in a clean laboratory with the most advanced instruments to observing nanomaterials, to midnight graffiti on San Francisco streets filled with needles and homeless people, her works embody The combination of science and art, and strive to break the world's existing rules.
194《零号人物》
纸本水彩 2020
paper watercolor 2020
新冠病毒爆发事件，0号人物消失了，无声无息，不声不响。事发突然，民众自顾不暇，没有人在意0号的存在。一周以后，当人们想起开始，他（她）已消失的无影无踪！
In the COVID-19 incident, Number 0 disappeared without a sound. All of a sudden, the people were too busy to take care of themselves. No one cared about the existence of Number 0. A week later, when people think of the beginning, he or she has disappeared without a trace!
《 X号工人》
纸本水彩 2020
paper watercolor 2020
X号不在统计内，他们是默默无闻的工人，从始至今，没有他们的（病、亡）数据，我当然不希望他们遭受厄运，只是看到了他们所处的环境，食堂是开放的，住宿是集中的，家是回不去的！
No. X, the unknown workers, are not included in the statistics. From the beginning to the present, there is no data about their illnesses or death. Of course, I don't want them to suffer from bad luck. I can only witness their environment. The canteen is open, the accommodation is centralized, and they cannot return home.
《舌尖上的天使》
纸本水彩 2020
paper watercolor 2020
一个接着一个，已成千上万，白衣天使不断的在增援（武汉），她们把自己奉献给一线，拯救被病魔缠身的灵魂！然而，她们倒下了，一个接着一个，已成百上千，爱她们的人正痛哭哀怨，长夜不眠。
One by one, tens of thousands of people have been helped by angels in white. They have dedicated themselves to the frontline to save the souls afflicted by the virus. However, they fell down, one by one, hundreds of them, and those who loved them were crying and moaning, sleepless all night.
《“营救”》
纸本水彩 2020
paper watercolor 2020
里面的人渴望有人前来“营救”，从这里出去，应是他（她）们毕生的的愿望。然而，在里面的人最不想出来的时候，它（新冠病毒）出现了，什么铜墙铁壁、固若金汤、牢不可催、插翅难飞，都是浮云。
The people inside are eager for someone to come to “rescue" them. It should be the wish of his or her life to get out of here. However, when the people inside didn't want to come out most, it (COVID-19) appeared, and all the iron walls, solid and solid, solid and impenetrable, and wings stuck in the air were nothing.
《闯入者》
纸本水彩 2020
paper watercolor 2020
监狱新冠病毒感染事件，让固若金汤的“模范建筑”颜面扫地。生命的意义和价值，在这里面或许不值一提，但也不容践踏，仍需尊重，对生命的敬畏之心，是人类不应泯灭的！
The incident of COVID-19 infection in the prison has wiped out the "model building" of Gu Ruo Jin Tang. The meaning and value of life may not be worth mentioning here, but it should not be trampled on. It still needs to be respected. The wonder of life should not be annihilated!
艺术家：生振宇
1987年出生于山东省滕州市，现居北京宋庄。画家、雕塑家、艺术产业策划。
Sheng zhenyu Born in 1987 in Tengzhou City, Shandong Province, now lives in Songzhuang, Beijing. He is a painter, sculptor and art industry planner.
195《非常物品 No.1》
布面丙烯 (60*50cm) 2020
Acrylic on canvas (60*50cm) 2020
《禁 No.1》
布面丙烯 (60*50cm) 2020
Acrylic on canvas (60*50cm) 2020
《平常系列 No.2-遛弯》
布面丙烯（ 60*50cm ）
Acrylic on canvas (60*50cm)
《天使一号》
布面丙烯（90*60cm ）2020
Acrylic on canvas (90*60cm) 2020
《异霾》
布面丙烯 （ 40*50cm ）2020
Acrylic on canvas (40*50cm) 2020
在平时发生的事情，对我们的生活和环境发生着影响，促使我对当下状态的关注。来自于社会、来自于城市，一直以来，在我的作品里潜移默化的融入了这些元素，也成为了我做艺术创作过程中的线索和脉络，在我的作品中表达我对所发生在当下的事物的态度、观点、看法和感受，从社会浮华现象的物欲横流，到人际间的麻木冷漠，到环境恶化的自然灾难，再到如今的新冠病毒，这些个带来的总是内心的惶恐、恐惧、焦虑与不安，所以总也停止不了对发生在当下事物的感悟与思考，以此在作品里，来表达我的内心世界。
艺术做的事情是提出问题，人类的脆弱，需要有一个强大的内心来支撑身体，自我的强大来自于内心的强大，那就让‘’我的艺术‘’来解决内心的事情好了。
Every day the transpiring of events affect every aspect of our lives forcing us to pay attention to the changes within the city and our society. Through my art work, I express my attitude, viewpoints, and feelings about what is currently happening. I focus in on the materialistic flow of the social flashy phenomena, the numbness of human beings, the occurring natural disasters of environmental degradation, and the renowned 2019-nCoV. Viruses always bring an inward panic, fear, and anxiety, so I can’t stop feeling and thinking about what is happening now. However, what I can do is express my inner world through my art work.
What art does is to help us to ask questions. The fragility of human beings needs a strong heart to support it. The strength of the self comes from the strength of the heart. Then let ‘my art’ solve the questions of the heart.
艺术家:庞宏伟
出生于河北省邯郸市，1989年毕业于中央工艺美术学院（现清华大学美术学院），现居北京 。
Pang Hongwei Born in HanDan city, HeBei province, China,Graduated from Central Academy of Craft Art (i.e. The Academy of Arts & Design of Tsinghua University),Currently living at Song Zhuang, Beijing .
196《隔离》
海报 2020
Graphic poster 2020
设计者由古代女子足不出户的情境联想到人们的隔离现状，从这些古代女子的神情中可窥视其对外界的渴望，故采取以古喻今的图像处理方式。海报中方框象征门窗，以框架结构过渡内外空间，底面弥漫新冠状病毒与樱花元素，隐喻外界充斥着危险却又樱花纷呈。
The designer associates the situation of people's isolation with the situation of ancient women staying inside the house. From the expressions of these ancient women, they can peep at their desire for the outside world. The boxes in the poster symbolize the doors and windows, and the internal and external spaces are transformed by a frame structure. The virus and cherry blossom elements are metaphors with viruses being full of danger.
艺术家：姚康康
湖州师范学院艺术硕士在读，虽然所学专业是环境设计，但是我认为不要拘泥于所学专业的限制，多尝试跨学科的创作，这对于创新思维的训练大有裨益。
Yao Kang Kang is studying his Masters of Fine Arts at Huzhou Teachers College. Although the major I studied is Environmental Design, I don't think that I should stick to the limitations of my major and instead I should try more interdisciplinary fields of creativity to develop my own creative practice.
197《tables》
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综合装置2020
Integrated device 2020
以药片作为切入点与承载媒介之一，将未知来源的声音隐藏在现场装置中，刻意制造窥视，营造一个强调“情景”和“过程”的场景。试图通过作品使观众在空间中回到体验本身。
真相与谎言，治愈与死亡，残酷与温情，传播与隔离之中究竟什么是我们的解药？
This art work uses "pill" as the background, hiding the unknown sound inside the installation creating a "scenario" and "process" scene trying to induce a unique experience for the audience.
What is our antidote among truth and lies, healing and death, cruelty and tenderness, transmission and isolation?
《她》
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Photographic device 2020
也不是有意去关注她，但是疫情期间女医生剃光头，孕怀九个月战“疫”，卫生巾并不够用，这种字眼一直出现在新闻条目里，促使我去思考。作品用这组自我和朋友的图像结构重组了一个“她“的异世界。
什么时候她开始认为自己必须有一种标准然后用某秀秀编辑自我的图像？
什么时候她开始认为自己要为来月经羞耻？
什么时候她开始认为自己必须要 “瘦“？
什么时候她可以正视自己的身体，需求，欲望？
I didn't mean to pay attention to her, but the female doctor shaved her head during the epidemic, and sanitary napkins were not enough. These words kept appearing in the news prompting me to think. The work uses this group of self and friends' image structure to reorganize a "her" alien world.
When did she begin to think that she must have a standard and then edit her image with Xiu Xiu?
When did she start thinking that she was going to be ashamed of menstruation?
When did she start thinking she had to be "thin"?
When can she face her body, needs, desires?
艺术家：陈濛婕
出生于1994，上海大学在读研究生。
Chen Mengjie was born in 1994 and studied art in Shanghai University.
198《历历在目》
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手工书 （7.5 x 10.5cm） 2020
Handmade book（7.5 x 10.5cm） 2020
这本关于疫情的手工书刚刚画完，每天又在不断发生新的事情。我没有给它设置序页或者是小的主题，文字稀疏。它呈现的方式是破碎，零散，拼拼凑凑，可是于我而言，每一笔都是这段时间里的触目惊心。我找了房间里很多没被扔弃的垃圾，几管挤不出来的颜料，一只有裂痕的换水杯，这些图形也是由它们组成。画到后来快要没有力气画完，笔也是束缚，每一幕都历历在目。
This manual book on the epidemic was drawn with new things happening every day. I didn't set a page sequence or a small theme for it so its presentation is fragmented. I found a lot of undiscarded garbage in the room like a few paints that couldn't be squeezed out, and a water-changing cup with cracks. These figures consisted of them. After painting, I had no strength to finish, the pen was bound with vivid scenes.
艺术家：费梦缘
上海视觉艺术学院视觉传达设计大二学生。
Visual Communication Design, Shanghai Academy of Visual Arts.
199《第二次伤疤》
布面丙烯（40.06 *50.08CM）2020
Acrylic on canvas (40.06 *50.08CM)2020
这次疫情期间，人们的态度由最开始的不重视到后期的惊恐，停工，停学，失去家人至亲，社会在很长一段时间处于一种看似平静的紊乱期。然而我们不能确定的是人们是否能够通过这次疫情真正的进行再反思，亦或是再次遗忘。
During this epidemic, people's attitudes changed from not paying attention to panic in the later stage, suspension of work, suspension of school, loss of family and relatives, while society was in a seemingly peaceful disorder for a long time. However, through this epidemic we are not sure whether people can really rethink or forget.
艺术家：王硕
现生活学习于洛杉矶 。
Wang Shuo now lives and studies in Los Angeles.
200《禧事—反科学式》
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综合材料（60*80）2020
Comrehensive Materials(60*80)2020
哲学的？物质的？化学的？物理的？进化论？神性的？生命在时空的碰撞中呈现着复杂多变怪诞瑰丽，强大而脆弱的矛盾性令众生不停审视自我，现象与本质都成为绘画要表达的主题，现象是万花筒，本质却是一个美丽的谜团。
Philosophical? Physical? Chemical? Evolution? Divine? In fact, life changes a lot, whether it is strong or fragile. Both the phenomenon and the essence of life have become the subject of this painting. The phenomenon is a kaleidoscope, but the essence is a beautiful mystery.
艺术家：圣兰
现居住于北京宋庄艺术区 ，职业画家。作品多次被机构及私人收藏。
Sheng Lan is currently living in Beijing Songzhuang Art District as a professional painter. His works have been collected by institutions and private individuals many times.
201《慢生活》
综合材料（60*80）2020
Comrehensive Materials (60*80)2020
疫情的爆发，被迫延长的假期，让我原本快节奏的生活突然放慢了下来。也许很多人像我一样，在繁忙的工作中早已忽略了自己的生活，习惯了两点一线的日程，依赖便利的公共交通与外送。而这次突如其来的机会给了我时间认真审视自己的生活，让我能够慢慢品尝一瓶饮料的味道，花时间给自己准备一顿晚餐，坐在窗前阅读、听音乐。原来这些曾经忽略的事情是这样美好而简单。
The outbreak of the epidemic and the extended holidays have suddenly slowed down my originally fast-paced life. Perhaps many people, like me, have long neglected their lives in the past because of their hectic work schedule, as well the convince and our reliance on public transportation and delivery has also changed our lives with this epidemic. This sudden opportunity gave me time to take a closer look at my life, allowing me to slowly enjoy the taste of a bottle of drink, to spend time preparing myself a dinner, to sit and gaze out the window, to read and listen to music. It turns out that these things that were once ignored are so beautiful and simple.
《 自然的信件》
干燥植物，纸，墨 2020
Dried plants, paper, ink 2020
大自然在地球上已度过了45亿年，见证过物种的兴衰，左右着人类的未来。新型冠状病毒，南极融化的冰川，愈演愈烈的灾难都离不开被忽略的自然。看看大自然写下了什么吧，也许是微风拂过树梢在空中划出的弧线，也许是种子随风起舞的星星点点，大自然想要的也许只是风轻云淡。
The Earth through its 4.5 billion years has witnessed the rise and fall of species.2019-nCoV, melting Antarctic glaciers, and disasters are all factors of nature. Look at what nature wrote, maybe the breeze was blowing over the treetops, maybe the seeds were rising with the wind, and nature just wanted peace.
艺术家：刘天
毕业于伦敦艺术大学，视觉艺术系硕士。热爱植物，更热爱手作，常常于生活的细枝末节中寻找灵感，喜欢把平凡的事物运用在作品中。
Liu Tian graduated from the University of the Arts London with a Master's degree in Visual Arts. I love plants and I love hand-crafted works. I often look for inspiration through the details of life, and find myself loving the simple and ordinary things in my paintings the most.
202《隔离》
海报 2020
Graphic poster 2020
有效控制住疫情的最佳手段就是切断传染源即：“隔离”。该海报设计将冠状病毒封存在75%的酒精中。75%的酒精可以有效杀死冠状病毒，以该形式来传达隔离的重要性。
The best way to effectively control the epidemic is to cut off the source of infection, i.e. "isolation". The poster design sealed the coronavirus in 75% alcohol. 75% alcohol can effectively kill coronavirus and convey the importance of isolation in this form.
艺术家：周圣耀
鲁迅美术学院硕士研究生在读。
I am studying my Master’s degree at Lu Xun Academy of Fine Arts.
203《壁炉前的忏悔》
设色纸本 (138* 138cm ) 2020
Ink and color on paper (138* 138cm ) 2020
《壁炉前的拯救》
设色纸本 (138* 138cm ) 2020
Ink and color on paper (138* 138cm ) 2020
壁炉前系列作品，流露出比讽刺更多的悲伤之情，传达出一种彻底绝望的悲伤。针砭整个时代、所有过度亢奋的行为、一切肤浅的表面游戏、一切固执武断的想法。“看看我们这些大猴子！看吧，这就是人！”所有的名誉、所有的智慧、所有的精神成就、所有通向崇高定点的过程、所有伟大的不朽的东西都分崩离析，成了猴子滑稽的把戏。
The series of work displayed in front of the fireplace shows more sadness than satire, and conveys a form of complete despair. Echidna throughout the era, all hyper-excited behavior, all superficial games, all stubborn and arbitrary ideas. "Look at us big monkeys! Look, these are people!" All reputations, all wisdom, all spiritual achievements, all processes leading to lofty fixed points, all great immortal things have fallen apart and become the monkey’s funny trick.
艺术家：高人杰
1994年纽约哈德逊艺术家协会会员 ，中国新野性成员。
Gao Renjie born in1994 is part of the New York Hudson Artist Association Member China New Wild Member.
204《疫情日历》
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海报 2020
Graphic poster 2020
武汉封城之前我离开了这里。在拉萨呆了一个星期，因为疫情越来越严重，拉萨下令所有酒店客栈必须停止营业。于是，我只能辗转昆明、长沙，历时近24个小时回到封锁之中的武汉。
回到武汉之后，每天被大量的负面信息包围，于是变得不愿意再留意互联网上的信息。2月6日晚，李文亮医生逝世的消息让我陷入了更大的悲伤。人类是健忘的，也许疫情平复之后过不了多久，这次疫情中发生的许多事就会慢慢没有了痕迹。于是，我用日历的方法，把这段日子里每天在社交媒体反应最激烈的事情记录了下来。死亡不是生命的终结，遗忘才是。
I left Wuhan before it was closed. After spending a week in Lhasa, Lhasa ordered all hotels and inns to close because of the spread of the epidemic. As a result, I could only travel to Kunming and Changsha and return to Wuhan under blockade for nearly 24 hours.
After returning to Wuhan, I was surrounded by a lot of negative information every day, so I became unwilling to pay attention to the information on the Internet. On the evening of February 6, the news of the death of Dr. Li Wenliang plunged me into even greater sadness. Human beings are forgetful. Perhaps not long after the epidemic has calmed down, many things that happened in the epidemic will slowly disappear. Therefore, I used the calendar method to record the most violent reactions on social media every day during these days. Death is not the end of life, forgetting is.
艺术家：俞诗恒
设计师，摄影师，媒体人。
Yu Shiheng is a designer, photographer and media person.
205《无题》
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剪纸
paper-cutting
重症病房里的白衣天使、送外卖的小哥、装满物资的车辆，用剪纸讲述一个个抗击疫情的故事，向战斗在抗疫一线的医务工作者、劳动者和支援湖北、武汉的社会各界表达崇敬之情。
Angels in white are in the intensive care unit, they are delivery personnel with vehicles full of supplies. Paper-cut is used to tell stories of those fighting the epidemic one by one and to express reverence to the medical workers, laborers and all sectors of society supporting Hubei and Wuhan who are fighting this epidemic.
艺术家：梁春兰
民间艺术家、剪纸大师、非遗传承人。华中师范大学美术学院特聘教师。
Folk artists, paper-cutting masters, non-hereditary bearers. Distinguished teacher of Fine Arts College of Central China Normal University engaged with folk artists, and paper cutting masters.
布面油画 (51*99.5cm) 2020
Oil on canvas (51*99.5cm) 2020
微光只是鲜血的颜色，所有的生命流离失所，奔走呼号并且在黑暗中行进，叹息和嚎叫、悲鸣声突然风起云涌、排山倒海而来…忽而又静寂下来，大鸟的翅膀或许把被劫持的春风送回大地，我们可以趁着黎明微曦之光，行走于天地间，前方就是地平线！
Light is only the color of blood. All lives are displaced, clamoring and marching in the darkness. Sighs and howls, plaintive wails suddenly surged up and poured down the mountain … suddenly and silently. The wings of the big bird may send the hijacked spring breeze back to the earth. We can walk between heaven and earth under the light of dawn and sunrise. The horizon lies ahead!
天地不仁，以万物为刍狗……
眼泪、鲜血、恐慌、惧怕、死亡、救赎、恩典、仇恨
太阳依旧照着
医生走了，他们步步回头
志愿者走了
他们的灵魂不眠不休
病人走了
他们奉上遗体
供人们病理研究
说过吧，这世上什么都有
黑色幽默穿着死神之衣行走，
却也能召来喝彩的口哨声
菜贩子和中介也在为差价烦忧
……
退去吧
让凯撒的归凯撒，上帝的归上帝
长江上面
那些桥梁依次架起
那些车辆来来去去
艺术家：赵丽先
1972 年出生于山东无棣，1997 年毕业于湖北美术学院油画专业，获硕士学位，同年进入江汉大学艺术学院任教，现任江汉大学艺术学院美术系副教授。武汉市美术家协会理事。
Zhao Lixian was born in Wudi, Shandong in 1972. He graduated from Hubei Academy of Fine Arts with a master's degree in oil painting in 1997. In the same year, he joined Jianghan University's School of Art and is currently an associate professor in the Department of Fine Arts of Jianghan University's School of Art. Director of Wuhan Artists Association.
207《“武”形伏魔》
海报 2020
Graphic poster 2020
《大“汉”驱邪》
海报 2020
Graphic poster 2020
很多时候，我一直在思考人与自然的关系，这次新冠病毒蔓延，也传递了人类与自然法则的严重破坏，爱护生灵是我们每个人的责任。世界虽然复杂，正义永远不会迟到，世间万物道义有道，这幅作品的创作就是基于传统文化的辟邪道法，葫芦与桃木剑是道教圣物，都具有吉庆辟邪、纳福增祥的象征意义，也是表达了举国上下齐心协力共战疫情的坚定信心。
Most of the time, I have been thinking about the relationship between man and nature. The spread of the new virus has also transmitted the serious destruction of the laws of man and nature. It is the responsibility of each of us to take care of the living. Although the world is complex, justice will never be late, and all things in the world are morally right. The creation of this work is based on the traditional culture's Tao to ward off evil spirits. Gourd and peach wooden swords are holy Taoist relics. Both have Chinese culture that celebrates good fortune to ward off evil spirits and receives blessings to increase prosperity. It also expresses the firm confidence of the whole country in working together to fight against the epidemic.
艺术家：徐源
香港青少儿视觉艺术中心顾问，南通轻设文化创意总监，从事艺术设计多年，其书画艺术作品获全国三十余奖项。
The consultant of Hong Kong Youth and Children's Visual Arts Center, Nantong Lightly Set up Cultural and Creative Director, has been engaged in artistic design for many years, and his works of calligraphy and painting have won more than 30 awards nationwide.
布面油彩 （60*80cm）2020
Oil on canvas (60*80cm)2020
《穿越花房无数里》
布面油彩 （80*160cm）2020
Oil on canvas (80*160cm)2020
这个系列的每幅画都记录了自己内心世界的某一刻，我看不到作品以后会带来的希望或绝望，但我很享受作画时那过程中带来的感动、沮丧、无法解读的心绪起伏，就像当下的生活中充满着的让我享受的迷茫。
死神在哭泣，天使在消毒，在消除各种可能的不利，而我们共同生活在这个怪诞的人间，也许我们的灵魂也在某个花房般美丽梦幻的秘境，等某天归于虚无，便回到真正属于自己的家园。
Each painting in this series records a moment in my inner world. I can't see the hope or despair that the work will bring, but I enjoy the emotion, depression and inexplicable mood fluctuation brought by the process of painting. No matter the situation the confusion makes me currently enjoy life.
Angels busy away to disinfect and eliminate any possibility of death to weep over them. We live together in this grotesque world, and perhaps our soul is also in a beautiful and dreamy secret land like a greenhouse. When it is empty one day, it will return to its real homeland.
艺术家：钉子
1990年出生于山东梁山。2014年从事职业油画创作至今。
Born in Liangshan, Shandong Province in 1990. He has been engaged in professional oil painting since 2014.
209《逆行者》
书法 2020
Calligraphy 2020
“逆行者”是对白衣天使们崇高精神的敬意表达！
"Retrograde" is a tribute to the lofty spirit of the angels in white!
《天佑中华》
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书法 2020
Calligraphy 2020
“天佑中华”是祈福祖国好运降临，战胜瘟疫。
"God Bless China" is to pray for the good luck of the motherland and to defeat the plague.
《英雄之城》
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书法 2020
Calligraphy 2020
作为一个武汉人，非常为之骄傲的，正是像钟南山院士所说的，武汉是一个英雄的城市，她经历过辛亥革命、抗日战争、解放战争的洗礼，出现过无数可歌可泣的英雄人物，是中华民族伟大复兴不可忘记的、值得载入史册的精神力量。
这次的抗击新冠病毒战役，“英雄之城”是武汉人发至内心的骄傲和坚忍不拔的意志的体现。
As a citizen of Wuhan, I am very proud of my city. Just as Academician Zhong Nanshan said,“Wuhan is a heroic city”. She has experienced the baptism of the 1911 Revolution, the Anti-Japanese War and the War of Liberation. She has seen countless heroic figures and is a spiritual force that cannot be forgotten in the great rejuvenation of the Chinese nation and is worth going down in history.
This battle against the new corona virus, the "City of Heroes" is the embodiment of the people of Wuhan’s heartfelt pride and perseverance.
艺术家：陈建民
生于武汉。毕业于湖北工业大学工业美术专业。湖北省美术家协会会员，目前生活工作于武汉。
Chen Jianmin was born in Wuhan. Graduated from Hubei University of Technology, majoring in industrial arts. Member of Hubei Artists Association, currently living and working in Wuhan.
*以上言论仅代表艺术家个人立场
The above statements represent the artist's personal position
景德镇：已未文化
南京：凡夕Fancy
丽江：一简堂
策展人：Lulu
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MUSE&m由独立建筑师/策展人Lulu成立于2016年初，立志于用设计和艺术为空间赋能。经过4年的设计/展览实践，与近千名设计师、艺术家进行过合作。旗下移动的头脑博物馆不是一个人的空间理想，而是一群人的“联合创作空间”实验。我们与越界·世博园合作，作为独立的艺术发声，为我们社群的艺术家、设计师、策展人、文艺爱好者提供交流和展示的平台。
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Website：www.muse-um.art
WeChat OA：muse-um-co-creation
微博超话：移动的头脑博物馆
ins：museumofcreativeminds
Email：[email protected]
每天早上10点-晚上7点 （周一除外）
Everyday 10am-7pm (Except Monday)
@ 上海市黄浦区半淞园路388号越界·世博园 B4-1, 一层
(主入口位于花园港路靠近半淞园路）
1F B4-1, NO.388 Bansongyuan Road， Huangpu District, SH ( Main entrance on Huayuangang Road, close to Bansongyuan Road)
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版权声明：以上内容为用户推荐收藏至CareerEngine平台，其内容（含文字、图片、视频、音频等）及知识版权均属用户或用户转发自的第三方网站，如涉嫌侵权，请通知[email protected]进行信息删除。如需查看信息来源，请点击“查看原文”。如需洽谈其它事宜，请联系[email protected]。