“巨石之下Under The Rock”公益艺术展线上展览（二十）
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“巨石之下”公益艺术展作品赏析（二十）
线上展览作品每日更新
最终线下展示作品由评选委员会投票选出
点击查看“巨石之下”公益艺术展详情
The online exhibition will showcase submissions, updated daily. Artworks for the final offline exhibition will be selected by the selection committee. For more information please click on"UNDER THE ROCK" Exhibition and Charity.
点击查看往期作品Click to view previous works
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134《记“疫”碎片》
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摄影照片
photography
1.平时人潮涌动的街头巷尾，商场门店如今门可罗雀。
Many people on the street at this time，but now the mall is empty .
2.老党员自愿支援社区防疫工作，协助消杀工作后回家。
Veteran party members volunteered to support community epidemic prevention work and returned home after disinfection.
3.在小区门口坚守至晚上的志愿者，对同样工作到很晚回家的环卫工进行体温检测，非常时期各行各业都不容易。
Volunteers who stand at the gate of the community until night and take a temperature test on the sanitation workers who also work late at home are very difficult in all walks of life.
4.社区团购的物资满足不了居民需求，居民自发组织团购，负责人正在清点物资。
Group purchases cannot meet residents' needs，Volunteer help buy stuff and the person in charge was taking inventory.
5.辛劳的环卫工享受着难得的阳光，片刻的休憩。
In front of the bar, the toiled sanitation workers enjoyed the rare sunshine and rested for a moment.
艺术家：张宏祥
居住在武汉，疫情防控志愿者，利用上下班时间记录武汉空旷的街道和依旧在维持城市运转的人们。
Now living in Wuhan, volunteers for epidemic prevention and control. User free time to document the empty streets of Wuhan and the people who are still running the city.
135《人民战役》
插画 2020
Illustrations 2020
人们的社会历史始终只是个体发展的历史，而不管他们是否意识到这一点。
People's social history is always just the history of their individual development, whether they realize it or not.
《萤火如炬》
插画 2020
Illustrations 2020
愿中国青年都充满朝气，努力向上，不被负面言论左右。能做事的做事，能发声的发声。有一分热，发一分光，就像萤火一般，也可以在黑暗里发一点光，不必等候炬火。此后如竟没有炬火：我便是唯一的光。
May the Chinese youth shed off the coldness brought by the words of the violent ones and those who abandoned us. Let the youth lift their heads and walk forwards. In this moment do what you can by using your voice. There is a little bit of heat and a little bit of light, and just like fireflies it can also glow a little in the dark without waiting for a torch. Since then there is no torch: I am the only light.
《敬畏自然》
插画 2020
Illustrations 2020
敬畏自然，
拒绝野味。
敬畏自然，
就是敬畏我们自己。
Awe nature,
Reject wild game.
To awe nature,
Is to awe ourselves.
《风月同天》
插画 2020
Illustrations 2020
当我们听到了恳切的呼唤
世界应该团结一致
有些地方的人们正逐渐死亡
是该伸出援手的时候了
对生命而言，这是最好的礼物
There comes a time when we heed a certain call
When the world must come together as one
There are people dying
And it's time to lend a hand to life
The greatest gift of all
我们不能日复一日的伪装下去了
在某些地方总有人要改变自己
事实上，我们需要的就是爱
四海皆一家，我们都是神的子民
We can't go on pretending day by day
That someone, somewhere will soon make a change
And the truth, you know
Love is all we need
We are the world, we are the children
创造美好的未来要靠我们
我们正在做的抉择是在拯救自己的生命
我们真的可以创造更美好的明天
献出你的心，他们就会觉得有人关心
他们的生活才能更坚强、更自由
We are the ones who make a brighter day
So let's start giving
There's a choice we're making
We're saving our own lives
It's true we'll make a better day
Just you and me
Send them your heart so they'll know that someone cares
And their lives will be stronger and free
《正视历史》
插画 2020
Illustrations 2020
睁开眼睛看吧，不管看到的是丑陋、肮脏，还是美好、温暖，至少你都拥有正视的勇气。如果只是闭着眼睛听人家说，就已经做了逃避的弱者。
Open your eyes and see, whether you see ugly, dirty, beautiful, warm, at least you have the courage to face up. If you just listen to others with your eyes closed, you have already run away from the weak.
《史记2020》
书法 2020
calligraphy 2020
史记倒过来念就是记史，记住历史。史记不是政绩，历史不是由政治家组成的，而是由千千万万活生生的人组成的。
Historical records read the other way down, remember history, remember history. Historical records are not political achievements, history is not composed of politicians, but composed of thousands of living people.
《满江红》
书法 2020
Calligraphy 2020
死者已矣，活着的人请记住，他们是历史的一部分。
The dead are dead, and the living, remember that they are part of history.
艺术家：曾熙来
拉兹阿特（Lazi Art）发起人，主理人。
Zeng Xilai is the founder and manager of Lazi Art.
136《众志成城》
数码绘画（21*29.7cm）
Digital Painting (21 * 29.7cm)
守望相助，众志成城，与你同在，加油！
Help each other during a time of crisis，unity is strength.
《病毒！捏爆你》
数码绘画（39.4*39.4cm）
Digital Painting （39.4*39.4cm）
新型冠状病毒，全部消灭！
Kill the novel coronavirus ！
《死亡的思考》
数码绘画（39.4*39.4cm）
Digital Painting （39.4*39.4cm）
哪怕世界动荡，但在所有的不确定中，还有一些确定的幸福，其实就在身边。只要踮起脚尖够一够，就能握进手心里。
Even if there’s turbulence in the world, there is still certain moments of happiness despite the current uncertainties the world is facing. As a certain Chinese saying goes, just lift your toes and hold them in your hands.
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数码绘画（39.4*39.4cm）
Digital Painting （39.4*39.4cm）
梦就像宿醉：有时你记得小部分，有时你什么都不记得。
Dreams are like hangovers: sometimes you remember small parts, sometimes you don't remember anything.
艺术家：陳廿三
随着时间的变迁，用绘画记录自己的内心想法及心理变化，理性或感性的反馈生活给予自身营养，对于自然的热爱与心灵的成长。认为艺术应多样多变，不能拘泥于单一的材料形式。
Over time, I use painting to record my inner thoughts and psychological changes. My rational or emotional feedback life gives me nutrition, a love for nature, and spiritual growth. It is believed that art should be diverse and not limited to a single material form.
137《上一次 这一次 下一次？》
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数码材料（700mm*1000mm） 2020
Digital Material（700mm*1000mm） 2020
上一次2003SARS非典
这一次2019-nCoV新型冠状病毒
下一次NEXT是什么？
……
每一次都是飞溅欲滴般血淋淋的教训
每一次都有惊人的伤亡数字
每一次都有难以计数的惨痛代价
还有下一次吗
……
Last SARS 2003
This time 2019-nCoV
What's NEXT?
...
Every time it is a painful price
Stunning casualties every time
Every time there are countless painful costs
Will there be another time?
《我们在一起》
综合材料（700mm*1200mm）2020
Comprehensive Material（700mm*1200mm）2020
作品采用阴阳图形来呈现：阳形是黑色图形的求助之手，阴形是白色图形的援助之手，一黑一白，一求一助，一负一正。表达疫情面前我们在一起守望相助、众志成城终将战胜病毒。
This art work is presented with yin and yang graphics: the yang shape is the hand of black graphics seeking help, and the yin is the hand of white graphics for rescuing those seeking help. One black and white, one rescue and one help, one negative and one positive. In front of expressing the epidemic, Together we will watch and help each other to defeat the virus.
《用爱援助》
平面海报（700mm*1000mm）
Graphic Poster （700mm*1000mm）
驰援武汉，援的既是物资钱财，更是爱，援字里有大爱。
Assisting Wuhan not only provides resources and money, but also love. There is great love in the world.
《阴晴》
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人如尘埃 沧海一粟，
新冠阴毒 阳光暖心，
阴天总会过去，
阳光一定来临！
People are like dust, a drop in the sea,
The new crown is venomous, the sun warms the heart,
Cloudy days always pass,
The sun must come!
《爱武汉》
平面海报（700mm*1000mm）
Graphic Poster （700mm*1000mm）
疫情面前需要大爱，把爱字下部分置换成武汉的简称“汉”字，体现爱武汉、助武汉的理念。原创手写的书法，灰黑红简洁的色彩和线条的渐变使画面有动感和强烈的视觉冲击力。
A love is needed before the epidemic situation. Part of the word "love" is replaced with the abbreviation "Chinese" in Wuhan, which reflects the concept of love Wuhan and helping Wuhan. Original handwritten calligraphy, simple black and red colors and gradients of lines make the picture dynamic with a strong visual impact.
艺术家：刘正法
一直游走在艺术与设计领域，平面设计、空间设计、雕塑与综合材料艺术都有涉猎，中国美术家协会会员、上海道合文化传播有限公司设计总监，参加国内外重要展览十几项。
He has been involved in the field of art and design, graphic design, space design, sculpture and comprehensive material art. He is a member of the Chinese Artists Association and the design director of Shanghai Daohe Cultural Communication Co., Ltd., and has participated in more than a dozen major domestic and foreign exhibitions.
138《Lighthouse》
摄影照片
photography
矿工灯在黑暗中的样子格外耀眼，陪伴着我读书，给我力量。在疫情期间，大家犹如在黑暗中摸索一样，空气中充斥着安静的无望；我希望每人都能在自己心里戴上一顶矿工灯，为书本照亮，为自己的心照亮。我相信困难一定会过去，就像黑夜即将过去那样，黎明就在不远方。
The miner's lamp looks particularly dazzling in the dark, accompanied me to read and gave me strength. During the epidemic, everyone feels as if groping in the dark, and the air is filled with quiet hopelessness; I hope everyone can put on a miner's lamp in their hearts to light up the books and their hearts. I believe the difficulties will pass, just as the night is about to pass, and dawn is not far away.
艺术家：路蹊刘
一名摄影师。
Lu Ying Liu, is a photographer.
139《街道》
摄影照片
photography
拍摄时间是过年期间的一天下午，过年期间正是人们出去活动和走亲戚的时候，因为疫情，街道的人气很少，显得有些萧瑟。北方的冬天还是有点冷的，人们都穿着厚厚的羽绒服与大衣，都把自己包裹的严严实实的，街上的人即使互相认识也不谈话，不拜年问好。
照片是典型北方农村街景，笔直的电线杆与错乱的电线把整个村连接了起来，人们很少出门，大门经常关着，街上只有稀稀落落几个人，地上又起了几阵冷风，把人相互拜年的习惯吹散了。
The shooting time is during the Spring Festival. One day in the afternoon during the Spring Festival people would go out to have a walk. However, due to the epidemic, the street has seldom Tao people making the atmosphere bleak. In the north it's still a bit cold. People are wearing thick down jackets with big clothes, wrapping themselves tightly. Sure enough, the people on the street recognize each other, however, we do not talk to each other, nor pay New Year's greetings to say hello.
The picture is typical of the north with its rural street scenes, and straight poles. The whole village is connected with the disordered electric wireAfter that, people rarely went out. The gate is always closed, and the street has only a few people scattered around. A few cold blasts of wind came up, turning people to each other. The custom of paying New Year's greetings has been blown away.
《封路》
摄影照片
photography
疫情期间，这村里的书记不少忙活，又是拉横幅，又是封路，又是大喇叭讲话的。这张照片是中国新农村建设的示范点，桥的对面是村里新引进的风力发电机，使一望无际的天空多了些新事物。在村与村之间是用厚土阻隔着，禁止人出行，在桥的尽头与厚土前面有一位中年人不知道在等待什么，后面有一个辆家用推车。冷风吹着发电机叶片，掀起一层薄薄的黄土，使得中年人的手伸进了裤兜，他眯着眼凝视着远方，在桥的尽头留下了他笔直的身影。而这等待的身影显得格外的孤独。照片是在过年期间拍摄的，照片里出现辆小推车，我猜应该是等待置办年货，或者在等待自己的家人吧。
During the epidemic, many secretaries in the village were busy with banners, road closures, and loud speakers. This photo is a demonstration site for the construction of a new rural area in China. Opposite the bridge is a newly introduced wind turbine in the village, which makes the endless sky more new. Between the villages is blocked by thick soil, and people are prohibited from traveling. At the end of the bridge and in front of the thick soil, there is a middle-aged person who is waiting for nothing, and a family cart is behind. The cold wind blew the generator blades and lifted a thin layer of loess, making the middle-aged man's hand reach into his pants pocket. He squinted and stared into the distance, leaving his straight figure at the end of the bridge, and the waiting figure seemed extra lonely. The photo was taken during the Chinese New Year. A small cart appears in the photo. I guess it is waiting for the New Year's goods or waiting for your family.
《回家》
摄影照片
photography
照片拍摄于疫情最紧张的时期，地点是柏油路堤坡上。照片里的人带着厚厚的口罩，骑着车子，破败柏油路使得骑电动车的人来推车上斜坡。灰色的天空穿插着两根连结远方的电线，空唠唠的树杈与矮矮的麦田消失在地平线上，车行驶的前方是家的方向。我用摄影记录了疫情期间人们回家的场景。
The photo was taken during the most stressful period of the epidemic, on the slope of the embankment. The man in the photo was wearing a thick mask, riding the car, and the broken asphalt road caused the electric biker to come up the ramp. The gray sky is interspersed with two wires connecting the distance, empty tree branches and short wheat fields disappear on the horizon, and the car is driving in the direction of home. I used photography to record people going home during the epidemic.
《老夫老妻》
摄影照片
photography
照片拍摄于疫情的时期，灰蒙蒙的天空，多了些狂风，吹着摇摆不定的树杈，灰色的麦田延伸到地平线，田中的小路上老大爷推电车，大妈在后面走着，大爷大妈相离不远，没有说话，听见推车大爷喘息声。当时拍着照片有些压抑与无奈，但又感到老夫老妻面对疫情的平凡与淡然。
The photo was taken during the epidemic period. The gray sky was a bit more windy making the tree branches sway in the wind. The gray-green wheat field stretched to the horizon. The old man pushed the tram on the road in Tanaka, as the aunt walked behind him. Even though they were not far from each other they still did not speak to each other. At the time, taking pictures was somewhat depressing and helpless, but I felt that the husband and wife were ordinary and indifferent in the face of the epidemic.
《回娘家》
摄影照片
photography
疫情期间，又是过年期间。村与村的界限被土包隔离的这么明显，使得村与村相互封锁，互不往来，然而在中间隔离区，桥上有母子俩前后结伴而行。每当春节刚过，农村习俗流行回娘家，母亲带着孩子走在不能开车的回娘家路上，孩子跑到前面，些许是高兴的原因吧，孩子满头大汗，母亲在后面小步撵着。母亲与孩子都没有提着过年的礼品，或许是疫情使小商铺关门了吧。疫情与过年时间相撞上了，显得人们这年过的简单，回家路上多些无奈萧瑟。
The epidemic period is another period marking the New Year. The boundaries between the villages was so obvious. However, in the middle of the isolation zone, there are mothers and children on the bridge. Whenever the Chinese New Year just passed, the rural customs to return to her parents’ home had the mother carrying the child back to her parents. The child runs to the front with a little bit of joy. Neither the mother nor the child have brought New Year's gifts. Perhaps the epidemic forced small shops to close. The epidemic and the New Year's time collided, it seems that people have had a simple life this year, and there is more helplessness on the way home.
《门神》
摄影照片
photography
在农村过春节时候，家家户户贴不少的春联，贴春联的时候，更不会忘记贴挡病挡灾的门神了。但这户人家的门神因为疫情，却贴着这么潦草，没有对齐，有的地方没有粘上，而大门也是紧锁关着，疫情期间的年显得这么不尽人意。人们对门神的美好期待在疫情面前显得这么不堪一击。
During the Spring Festival in the countryside, every family puts up a lot of Spring Festival couplets. When sticking on the Spring Festival couplets, they won’t forget to stick on the door god of disease and disaster. However, because of the epidemic, the door god of this family was so scribbled, misaligned, and some places were not glued, and the door was locked and closed. The years during the epidemic seemed so unsatisfactory. People's good expectations of the door god seemed so vulnerable in the face of the epidemic.
《蝙蝠》
数码版画 2020
Digital prints 2020
疫情期间，当我看到关于疫情缘由的时候，感到费解与恐慌。当得知有人因这场病毒感染死亡的时候，感到人的渺小与脆弱。人对自己生存的环境的认知少的可怜。人类不断的探索生存环境，在占有自然资源的时候，却不知道自己对自然知道甚少。我用抽象的方式对蝙蝠进行艺术的处理，用两只倒挂的蝙蝠的抽象形象，又用两只蝙蝠错落负空间行成诡异的人脸来警示我们。
During the epidemic, when I saw the cause of the epidemic, I felt puzzled and panicked. When I learned that someone had died from the virus infection, I felt that the person was small and vulnerable. People have poor understanding of their own living environment. Human beings are constantly exploring the living environment. When they possess natural resources, they do know very little about nature. I used bats in an abstract way to deal with art, use the abstract image of two bats upside down, and warn us with two bats staggering negative space into strange human faces.
《病毒》
数码版画 2020
Digital prints 2020
在疫情期间，为了使自己与家人不要恐慌害怕，自己上网不断学习，补充自己对新型冠状病毒的空白。看到病毒带给人类的危害，有感而发创作了《病毒》这件作品，我把病毒破坏细胞的过程用艺术的手法表现在创作上。
During the epidemic, in order not to panic and fear for yourself and your family, you continued to study online to supplement gaps in life because of the coronavirus. Seeing the harm the virus caused to human beings, I created the work "Virus", and I expressed the process of the virus destroying cells with artistic methods in my creation.
艺术家：王金海
中国青年艺术家。
Wang Jinhai is a young Chinese artist.
140《Inside Here》
布面丙烯（60*90cm）2020
acrylic on canvas （60*90cm）2020
这幅画的名字叫《在这里》，创作于二月初，我刚刚接触到新冠病毒的消息时，在两周的隔离期里，我每天都会揣摩我的画，让我的思想引领创作。
This painting is called “Inside Here” I painted it during early February while the virus was still trying to be understood. Each day for 2 weeks of quarantine, I visited my painting and let my thoughts lead the creation.
《What Now》
布面丙烯（29.7*42）2020
acrylic on canvas （29.7*42）2020
“现在是什么”是14天自我隔离结束时的画作。我想用这些颜色来画一幅画，这就是我的想法。我所有的画都是由我当时的思想和情感所引导的。
在隔离期间，有一个问题一直困扰着我，那就是：现在会发生什么？
“What Now” is the painting that emerged at the end of a 14 day self quarantine. I wanted to do a painting with these colors and this is what developed. All of my paintings are led by my thoughts and emotions at the time.
During the quarantine, one question that plagued my mind was, What will happen now?
艺术家：Kimberly Cudd
金伯利·库德（Kimberly Cudd）是居住在上海的美国艺术家。她活跃于这里的艺术家社区，并参与许多团体。最近，她应邀在苏州艺术集体举办了第一次个展。展览被称为“寻找快乐”，重点关注通过艺术重新获得童年快乐的过程。
Kimberly Cudd is an American artist living in Shanghai. She is active in the artist community here and participates in many groups. Most recently, she was invited to hold her first solo exhibition at the Suzhou Art Collective. The exhibit was called, "Finding Joy" and focused on the process of regaining childlike joy through art.
141《审视》
油画 2020
Oil Painting 2020
画中的审视包括人类对自我的审视和对病毒的审视。病毒异化的恶魔与人类一同审视人类，审视每个观看者。
The scrutiny in the painting includes human's scrutiny of self and virus. The alienated demons look at humans with humans, every viewer.
艺术家：西江
高三在读学生。
Xijiang is a high school senior.
142《生机》
平面海报
Graphic poster
作品通过发芽的藤蔓造型将病毒图形包围，寓意生命力顽强，在充满爱和希望的氛围中，我们终将战胜病毒，最终获得战疫胜利，整个藤蔓的造型又是一个“0”的造型，寓意病例零新增。
The work projects the virus graphic through the sprouting vine shape, which means that vitality is tenacious. In an atmosphere full of love and hope, we will finally defeat the virus and finally win the epidemic. The shape of the entire vine is a "0" shape. There are no new cases.
FIGHT TOGETHER
平面海报
Graphic poster
作品以三维形态的红十字造型构成一个网格状的空间，病毒被困在网格中，战疫是一场没有硝烟的战争，我们要不分国界、种族和性别，没有歧视、没有恐惧，共同抗击疫情，终将取得战疫的胜利。
The work uses a three-dimensional red cross shape to form a grid-like space. The virus is trapped in the grid. The war epidemic is a war without gunpowder. We need to distinguish between national borders, race and gender, without discrimination, without fear. Fighting the epidemic together will ultimately lead to victory in the epidemic.
艺术家：张伟
平面设计师、机械工程师。艺术设计专业出身，后转入机械设计行业从事机械设计工作，业余兼职设计软件培训和平面设计工作。
Zhang Wei is a graphic designer and mechanical engineer. Born in art design, he moved to the mechanical design industry to engage in mechanical design work, part-time design software training and graphic design work.
143《救星》
数字绘画（59,5x41.92 cm）
Digital painting (59,5x41.92 cm)
肺炎疫情期间救助我们的很多医生，志愿者，我们看不清他们的面庞，不知道他们的名字，也许以后也不会再相遇，而正是这些无名者在拯救帮助我们。我们非常感激这些来自全国各地的救星，志愿者。
During the pneumonia epidemic, many doctors, and volunteers helped us in order to save our lives. However with their brave efforts we can't see their faces, we don't know their names or who they are. Maybe they are our friends, our relatives or neighbors, or perhaps they’re just some strangers who we will never meet again. We are very grateful to these rescuers and volunteers from all over the country.
艺术家：Katerina Vitchynkina
我是一名来自乌克兰的平面和时尚设计师和插画师。我住在武汉，担任大学设计讲师。
I'm a graphic and fashion designer and illustrator from Ukraine. I'm living in Wuhan and working as University design lecturer.
*以上言论仅代表艺术家个人立场
The above statements represent the artist's personal position
景德镇：已未文化
南京：凡夕Fancy
丽江：一简堂
策展人：Lulu
更多展览回顾（点击阅读）
MORE EXHIBITION
MUSE&m由独立建筑师/策展人Lulu成立于2016年初，立志于用设计和艺术为空间赋能。经过4年的设计/展览实践，与近千名设计师、艺术家进行过合作。旗下移动的头脑博物馆不是一个人的空间理想，而是一群人的“联合创作空间”实验。我们与越界·世博园合作，作为独立的艺术发声，为我们社群的艺术家、设计师、策展人、文艺爱好者提供交流和展示的平台。
- 联系我们 CONTACT US -
Website：www.muse-um.art
WeChat OA：muse-um-co-creation
微博超话：移动的头脑博物馆
ins：museumofcreativeminds
Email：[email protected]
每天早上10点-晚上7点 （周一除外）
Everyday 10am-7pm (Except Monday)
@ 上海市黄浦区半淞园路388号越界·世博园 B4-1, 一层
(主入口位于花园港路靠近半淞园路）
1F B4-1, NO.388 Bansongyuan Road， Huangpu District, SH ( Main entrance on Huayuangang Road, close to Bansongyuan Road)
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版权声明：以上内容为用户推荐收藏至CareerEngine平台，其内容（含文字、图片、视频、音频等）及知识版权均属用户或用户转发自的第三方网站，如涉嫌侵权，请通知[email protected]进行信息删除。如需查看信息来源，请点击“查看原文”。如需洽谈其它事宜，请联系[email protected]。